Updated at 5:09 p.m. April 25
Vernon Fisher, the mixed media artist, had several opportunities to leave Fort Worth, showing his work at more than 40 museums around the globe in London and Mexico City and nationally at museums like the Guggenheim and Whitney in New York.
But the artist continued to call North Texas home up through his death, which was by Mark Moore Gallery on Monday. Fisher was 80.
鈥淗e wanted to stay true to his roots,鈥� Mark Moore said over the phone. His gallery is based in California and the pair worked together for more than 30 years.
鈥淗e would definitely be considered one of the most important artists to come out of Texas ever, if not one of the most important contemporary artists to emerge from the United States.
鈥淗e had shows at the Hirshhorn Museum, the Guggenheim Museum and the Whitney Biennial all the same year. I mean, this is virtually unheard of.鈥�
Michael Auping, who served as the Modern Art Museum of Fort Worth鈥檚 , was a good friend of Fisher鈥檚. The pair bonded over golf and their love of art.
鈥淲e're very different kinds of people. But the one thing we had in common was the idea that art would get us through all of this, meaning get us through the idea of being a living person and never being able to resolve anything,鈥� Auping said.
Fisher鈥檚 art, like his sense of humor, was sharp and acerbic, juxtaposing cartoonish figures with literary references. Fisher鈥檚 sense of humor remained intact, even as the artist鈥檚 health issues ramped up, Auping said.
鈥淲hen Vernon got sick, he had to have dialysis three times a week. It was grueling,鈥� he said. But when one of their frequent haunts, an old-fashioned cafeteria, shut down and later became the home to a dialysis clinic, both men laughed at the irony.
鈥淭hat鈥檚 the nature of Vernon鈥檚 art. You might think it鈥檚 funny because Mickey Mouse is in it, but you might notice Mickey鈥檚 arm is missing or something like that,鈥� he said.
In the 鈥�70s, when many people looked to the coasts as artistic hubs, Auping said that Fisher helped put Texas on the map.
鈥淪o many young artists I've run into here in Texas who studied with Vernon Fisher said he really helped them understand that they could have a career in art and that career could be in Texas.鈥�
As an educator at the University of North Texas from 1978-2009, Fisher helped mold the next generation of artists.
鈥淪o often you're a good teacher and not necessarily a great artist, or you can be a great artist and not necessarily a good teacher. Vernon was able to do both,鈥� Auping said.
Fisher鈥檚 friend and UNT colleague said, "He was always the smartest person in the room, but humble. He didn't lord it over you. He was a down-to-earth guy ... I will certainly miss him."
四虎影院's Jerome Weeks and Dane Walters He told them that he liked to play with our natural inclination to see an image and create a narrative.
Fisher began as an abstract painter, but then started experimenting with text.
鈥淟anguage was becoming a very big part of the art world then,鈥� Auping told Weeks in 2016. 鈥淪ome artists were using just pure language, pure text 鈥� like . What brought Fisher attention early on was his use of text and image. And he was making 鈥榥arratives鈥� that were often disjunctive. They made you wonder if the image actually fit the text. And in most cases, the relationships are oblique. They could be based on something you don鈥檛 even notice initially."
When Weeks asked Fisher, then 73, if he'd ever stop painting, Fisher replied:
鈥淚鈥檝e never really attempted to stop, So I wouldn鈥檛 know, y鈥檏now?鈥�
"Breaking the Code," a new documentary about Vernon Fisher, is scheduled to screen this weekend:
- , at 5:30 p.m. at the Violet Crown Cinema in Dallas, Dallas International Film Festival.
- 1 p.m. at Campus Theater in Denton, Thin Line Film Festival. Free.