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Dallas curator, art critic Charles Dee Mitchell dies at 74

Charles Dee Mitchell on Nov. 10, 2011, outside his home in Dallas.
Charles Dee Mitchell on Nov. 10, 2011, outside his home in Dallas.

With the passing of Charles Dee Mitchell, who died on Friday at the age of 74, the Dallas art world has lost one of its leading lights who helped shape the local artistic culture as a critic, curator, collector, patron and general all-around wise man of the arts.

After getting a theater degree from SMU, and a brief period teaching at Greenhill School and living in New York, Mitchell began working in 1972 at a small startup called , eventually becoming chief buyer. Retiring early, he devoted his considerable talents and resources to the flourishing of the visual arts in Dallas.

For many years, Mitchell had a major voice in representing the North Texas art scene to the broader art world, in sharp, penetrating reviews published in  and among other magazines(When I tried to educate myself about Dallas art before I moved here in 2009, reading Mitchell’s impressive publications set my expectations at a high level.)

Unlike many who write about art, though, the breadth and depth of Mitchell’s literary and cultural knowledge set his work apart. A glimpse at the index of his at the Dallas Museum of Art, or even his eccentric , suggests the range of his thinking. Later he exercised this range as president of the literary and poetry organization from 2010 to 2018, which was credited with helping nurture a in Dallas.

His , designed by the architect , was made to showcase his , which Mitchell developed with razor-sharp, unerring taste. Far from simply pursuing the blue-chip or fashionable, as so many collectors do, Mitchell thought deeply and committed whole-heartedly. Among his outside-the-box interests was , of which he was a significant collector, which brought together media, culture and politics.

The work of the local artists he supported, such as (whom Mitchell curated at The Box Company), or (to whom Mitchell turned over his as an exhibition venue), was invariably among the most exacting creative work, demanding viewers’ full attention — never something that could be viewed distractedly or lazily. Like all of Mitchell’s projects, these curatorial projects brought together eye and mind at an elevated level, setting a high standard for those who follow.

Arts Access is an arts journalism collaboration powered by The Dallas Morning News and ËÄ»¢Ó°Ôº.

This community-funded journalism initiative is funded by the Better Together Fund, Carol & Don Glendenning, City of Dallas OAC, The University of Texas at Dallas, Communities Foundation of Texas, The Dallas Foundation, Eugene McDermott Foundation, James & Gayle Halperin Foundation, Jennifer & Peter Altabef and The Meadows Foundation. The News and ËÄ»¢Ó°Ôº retain full editorial control of Arts Access’ journalism.

Benjamin Lima is a Dallas-based art historian and the editor of Athenaeum Review, the University of Texas at Dallas journal of arts and ideas.